Ève De Garie-Lamanque is curator of contemporary art at the Musée régional de Rimouski. She holds a master’s degree in art history from Concordia University (2008); her thesis dealt with the notion of the “anonymous trace” in the work of Betty Goodwin and Christian Boltanski.
Her most recent curatorial projects included Marc-Antoine K. Phaneuf. Miscellanées, artefacts kitsch et autres lubies (Musée regional de Rimouski, 2013) and Lieux de passage (guest city: Calgary, Art Souterrain, 2012). She is a member of the curatorial committee for the symposium Trans-Montréal, the Canadian segment of a 2015 Performance Studies International project: Fluid States—Performances of UnKnowing (Amelia Jones, head curator).
For her residency at Est-Nord-Est, she began a new aspect of her research on the object, concerning accumulation, inventory, collection and archive as subjects or methods used by the artist and the contemporary art curator.
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