In her work, Camila Carella investigates faith, mysticism, and pastimes from a perspectivist, animist, and fantastic point of view. Using the practice of painting to mediate and organize space, she seeks to problematize the inner mystical experience and the devotional images that represent it. From works that are composed as dreamlike and imaginary surfaces to installations that occupy the entire scale of a room, spatial perceptions are a means of constructing dramatic correlates regarding contemporary anthropocentric spirituality.