Sagamie – L’imprimé numérique en art contemporain

2007
Editor : Éditions d'art Le Sabord
Location : Trois-Rivières, Canada
Year : 2007
Pages : 197
ISBN : 978-2-922685-52-7
Language : French
Author : Nicholas Pitre, Michaël La Chance, Hervé Fischer, Sylvain Campeau, Louise Poissant, Élène Tremblay, Valérie Lamontagne, Sylvie Parent, Ollivier Dyens, Carol Dallaire, Pierre Robert, Suzanne Leblanc
Where to find? : C3 - Monographies Québec

Artist and author

Raymonde April
Kinga Araya
Sylvette Babin
Annie Baillargeon
Mathieu Beauséjour
Sophie Bélair-Clément
Gwenaël Bélanger
Ivan Binet
Guy Blackburn
Marcel Blouin
Catherine Bodmer
Diane Borsato
Carl Bouchard
Sylvain Bouthillette
Matthieu Vrouillard
Nathalie Bujold
Sophie Castonguay
Sébastien Cliche
Thomas Corriveau
Sylvie Cotton
Michel De Broin
Gennaro De Pasquale
Manon De Pauw
Marie-Suzanne Désileets
Patrice Duchesne
Mario Duchesneau
Micheline Durocher
Louis Fortier
Pascal Grandmaison
Nathalie Grimard
Adad Hannah
Isabelle Hayeur
Bettina Hoffmann
Frédéric Laforge
Sylvie Laliberté
Maryse Larivière
Frédéric Lavoie
Chloé Lefebvre
Ariane Lord
David Moore
François Morelli
Alain Paiement
Roberto Pellegrinuzzi
Josée Pellerin
Jocelyn Phillibert
Ana Rewakowicz
Cezar Saëz
Catherine Sylvain
Carl Trahan
Kim Waldron
André Willot
This 200-page book offers a visual journey through a selection of digital works by 50 artists who have completed a research/creation residency at Centre SAGAMIE. The book also presents an anthology of theoretical texts by 11 authors recognized in the field of research and development of new technologies. The authors' essays question the various implications of digital production tools on contemporary art creation and the dissemination of works. This major publication therefore provides an overview of the hundreds of artists in residence who have contributed to digital research over the past ten years at Centre SAGAMIE, while deepening theoretical reflection on this emerging artistic medium, which is integrated at all levels of the artists' work. This reference book will therefore significantly advance the understanding of digital art among a wide audience. This publication is made possible thanks to the financial support of CALQ and the CAC.
Available in paper format only.