Jocelyne Lupien (“The white abyss of the paper”) sees the virtuosity and pleasure in the drawn work of Michel Boulanger as an important part of the founding elements on which his work is based. For his part, Réal Lussier (in his study “Michel Boulanger and drawn art”) traces the various states of drawing in the artist's work and the importance of this practice in the processes of creation, documentation and image construction.
Available in paper format only.