Roland Brener, Michel Goulet : Canada XLIII Biennale di Venezia 1988

Gascon discusses the relationship existing between sculpture and its architectural shelter, and more specifically between the works of the exhibition and the Canadian pavilion of the Giardini di Castello in Venice. In their reference to industrial fabrication, Brener and Goulet's sculptures are seen to set a schism between functionality and artistic expression; the author explores this phenomenon, seeing it as a political feature. Biographical notes. Bibl. 4 p.